"Django. The D is silent."
Thoughts and connections to AP English 12 novels.
“A little nonsense now and then, is cherished by the wisest men.”
― Roald Dahl, Charlie and the Great Glass Elevator
― Roald Dahl, Charlie and the Great Glass Elevator
Wednesday, March 6, 2013
Dshannon Unchained
You can call me Shannon… or you can call me Movie Buff
the Cinephile, Fiend for Film. Yes, I quite like that. The search for
entertainment in my life habitually ends when I log onto Netflix, flip to
Movies on Demand, or drive myself to the theatre. Do I re-watch a classic or do
I adventure into a new director’s world? No matter what I choose, I always find
myself fully engaged in the actors, script, and direction. Ryan Gosling
chick-flicks? Yes. Harry Potter enchantments? Absolutely. Oscar-worthy
movie-to-book adaptations? The more the merrier. Japanese anime? Well, eh, not
so much; but, hey, I cannot stand as one to judge. Recently, my passion has
turned 180 degrees from romantic comedies to gore- unedited, immoral, cut-through-the-bone gore. And
where else does one turn to quench their bloody thirst other than the one and
only Quentin Tarantino, director of my new chart-topping favorite, “Django
Unchained.” First of all, dang! Tarantino’s mastermind somehow takes such a
dark part of American history, puts a dramatic spin on it, and turns it into a
story of love, determination, and yes, murder. From start to finish, the
180-minute movie captured me with its unexpected humor yet emotionally daunting
character development. Jamie Foxx, Christopher Waltz, and Leonardo DiCaprio
take on the main stage among a star-studded cast and nail their transformation
into characters of the Deep South in an era of unjustified slavery and conflict
beyond one’s wildest imagination. Tarantino takes on a new level of ambition as
he creates a sadistic tone and pushes the effects profanely over the top. Blood
spews uncontrollably every time someone receives a gunshot wound as if they
hold no bones in their body. Yes, unrealistic as it may seem, the deranged yet
lovable director themes this masterpiece off of revenge and disregards a flare
for the practical. I love it. Only Tarantino can handle this level of irony and
violence in one film and still have the ability to make every moment tense and
unpredictable for the audience. I warn, “Django Unchained” may arouse great
discomfort in some due to its use of language and heavy sadistic attitude
toward a touchy mistake in our nation’s past; however, I encourage those
mentioned to look past the sometimes politically incorrect script and see the
movie for what it truly remains: a fun, thrilling, over-the-top adventure meant
for enjoyment, not political debate.
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ReplyDeleteShannon, Django's story, without a doubt, won my best movie of 2012 award and remains as one of my favorites of all time. After viewing it, I felt my soul had partially died due to both the level of gore and violence as well as the incomprehensible amount of sheer awesomeness. Tarantino definitely earned his Oscar as did supporting actor Christopher Waltz. I loved how far the movie took the issue of slavery even so much so that it received criticism for its "excessive" use of the "n" word. I did not find it excessive int he film and found that the use of the word reflects the time period the film attempts to recreate.
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